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ANDREW ALLEN IS DISTRACTED

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Brighton, UK, United Kingdom
Andrew is a Brighton based writer and director. He also acts (BEST ACTOR, Brighton And Hove AC for 'Art'), does occasional stand-up, & runs improv workshops every Sunday. This blog can be delivered to your Kindle: By subscribing via this link here -or you can carry on reading it here for free ..

Thursday, 16 August 2012

Where Is Everybody?

So, Edinburgh feels odd this year. Actually, that's an entirely meaningless sentence, since I'm pretty sure that someone somewhere is required to say 'Edinburgh feels odd this year' every year, no matter what's going on. I know that it felt odd to me last year, but I also know that was just me, that I wasn't really enjoying it, despite the quailty of the acts. This year, I'm having a better time, although I'm reasonably convinced the acts aren't.

I knew that I'd truly arrived on the Fringe this year when I'd seen a terrible show followed by a really good show (I think that's like, one of the rules or something). The good show was from Belt Up, an adaptation of A Little Princess, a book that I incidentally have never read, and now think that if I ever had a daughter to read it to, I might not be able to get past chapter one without having a massive emotional collaspe.

The really bad show, by the way, I'm not going to name. I feel bizarely lucky that I had to pay for it - I'd much rather wasting some cash on it than having to suffer a headache trying to think of something positive to say something about it in a review. It concerns me that some companies seem not to truly understand what the concept of this 'international' festival really is - you know, the idea that they might be seen by audiences.

Of course, that's what's odd about the fringe this year - audiences, or a seeming lack of them. For as long as I've been coming to the fringe (which isn't that long), the chatter has always been that the audiences are down on the previous year. This is always a claim that ends up getting shot in the throat the following month when the fringe society release their figures, and it's discovered that all manner of records have been broken. But this year, it feels different even when you're not sitting in a poorly attended show. It's out there - or rather, people aren't - in the streets, and in empty Pleasance Courtyards. You almost feel like this is what it's like in the other eleven months of the year.

On the plus side, at least it's easier to go down the Royal Mile. I even managed to get a flyer, and usually only the best people get given flyers. I know, because they told me.

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